THIS ONE RULES!!! | Ashdown Triple Shot - Review by BassTheWorld
In the latest video from BassTheWorld, host Gregor Fris takes us through an in-depth review of the Ashdown Triple Shot Overdrive bass pedal, with the incredible bassist Frank Itt demonstrating its powerful capabilities. This pedal is not just another overdrive; it’s a versatile tool designed for bassists seeking to sculpt their sound with precision.
What Makes the Ashdown Triple Shot Unique?
The standout feature of the Ashdown Triple Shot is its multi-band overdrive capability. Unlike traditional pedals that apply a uniform effect across your entire signal, the Triple Shot allows players to fine-tune their overdrive across three distinct frequency ranges: Lows, Mids, and Highs.
-
Dark (Lows): This section manages frequencies up to 160Hz, giving your sound a deep, rich foundation. It’s perfect for enhancing the low-end punch without overwhelming the mix.
-
Medium (Mids): Covering the range from 160Hz to 650Hz, this band is where many bassists find their sweet spot. It allows you to push your mids for more presence and clarity in a band setting.
-
Light (Highs): For frequencies above 650Hz, this section ensures your high notes cut through while maintaining a smooth character, perfect for melodic lines and solos.
Each frequency band is equipped with its own gain and volume knobs, allowing for an unprecedented level of control over your tone. This means you can dial in exactly how much overdrive you want for each frequency range, enabling you to craft your ideal sound. Whether you're looking for a subtle warmth or a gritty, distorted growl, the Ashdown Triple Shot has you covered.