Ashdown Engineering

Ashdown Dreifachschuss

ÂŁ199.00

Im September 2023 prĂ€sentiert Ashdown stolz das NEUE Ashdown Triple Shot Blended Drive Pedal. Sie haben es satt, Kompromisse bei der Verzerrung Ihrer Bassgitarre einzugehen? Das Triple Shot bietet kompromisslosen High-Gain-Bass-Overdrive, der Ihnen die vollstĂ€ndige Kontrolle ĂŒber Ihre ĂŒbersteuerten Töne ermöglicht. Stellen Sie sich vor, Sie hĂ€tten drei verschiedene Verzerrungspedale in einem eleganten GerĂ€t.

Mit separaten Reglern fĂŒr die Frequenzen „Dunkel“, „Mittel“ und „Hell“ können Sie Ihren Sound prĂ€zise formen, von satten, krĂ€ftigen Tiefen bis zu High-Gain-Höhen. Egal, ob Sie eine subtile VerstĂ€rkung der Mitten oder einen dröhnenden, ĂŒbersteuerten Bassklang benötigen, der Triple Shot liefert. Dank seiner Empfindlichkeit können selbst subtile Anpassungen einen gewaltigen Unterschied machen. Der Ashdown Triple Shot ist das ultimative Werkzeug zum Gestalten Ihres einzigartigen Drive-Sounds.

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DirektkĂ€ufe NICHT in den USA verfĂŒgbar

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SPECIFICATIONS

  • Power Requirements - 9 Volt. Power Required
  • H x W x D (mm) - 145.50 x 116.20 x 65
  • Weight (kg) - 1.15
In essence, the Triple Shot is three individual distortion pedals in one! The signal from the instrument is split into three distinct frequency bands (“Dark”, “Medium” and “Light”) and fed into three distortion generators.

Each band has its own level (“Roast”) control before being recombined to create a full signal. It is therefore possible to retain and enhance the low-end frequencies of your bass sound with a thick and chunky overdriven tone, enrich
the top-end with high-gain trebles — or take the two extremes and mix them together to harvest a vast selection of distinct sonic qualities.
With all of the ‘Roast’ controls set all the way to the left, it’s
a simple, independent EQ
 but using each of the Roast controls in harmony with its corresponding Dark, Medium or Light control, then you can vary the drive from a light little tickle in the mid-range to a full-on overdriven bass sound.
With all the controls at 12 o’clock you get a rich driven bass
sound that cuts above the mix in a live ‘alternative rock’ situation, whilst retaining the bottom end over your original bass signal. The pedal’s rotary controls are extremely sensitive, and a slight adjustment can mean a major
characterise change in sound. As a result, you have the ultimate control over your drive sound.
The pedal requires a minimum of 9v with 45ma draw centre pin negative (power supply not included).

Triple Shot, Blended Drive
User Manual

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